Selected Work
Redwood Forest repeating wallpaper design. Installed at WeWork locations worldwide. — April 2019
Powder coated steel wall sculptures. Installed in an office in San Ramon. These pieces were designed to serve as visual landmarks to help employees navigate a large floor plan Fabrication by Chris Edmunds. — January 2020
Concentric circles neon light fixture. Installed in a double height atrium at a WeWork location in San Francisco. Neon fabrication by Let There Be Neon. — October 2018
Big Sur, acrylic on canvas. — June 2019
Muir Woods, acrylic on canvas. Custom artwork installed in Mill Valley, CA. — June 2019
Linear neon array in a hallway at a WeWork location in Plano, TX. Fabrication by Let There Be Neon. — December 2018
Canyon Dawn, acrylic on canvas. — September 2019
Canyon Dusk, acrylic on canvas. — September 2019
Emerald City neon and hand-painted front desk for a WeWork location at the MGM studios in Culver City. Neon fabrication by Let There Be Neon. — September 2019
Space Cowboy neon. Installed at a WeWork location in Dallas. Neon fabrication by Let There Be Neon. — May 2018
Nature vs Technology neon. Installed at a WeWork location in San Mateo, CA. Maneki-Neko painting by Jocelyn Tsaih. — November 2018
Canyon repeating wallpaper design. Installed at WeWork locations worldwide. — August 2019
Abstract mural inspired by the work of Helen Frankenthaler. Installed at a WeWork location in San Francisco. — January 2019
Windows Diptych, acrylic on canvas. Toronto, neon for Toronto WeWork location. Neon fabrication by Let There Be Neon. — July 2018
Mt Tam, acrylic on canvas. — January 2020
Desolation Peak, acrylic on canvas. — June 2019
Lowlow Bounce, acrylic on canvas. Designed to be reproduced on a Trivision billboard in the lobby of a commercial building in Los Angeles. — May 2018
Logo for Westkill, a home goods brand I co-founded, specializing in hand-painted and screen printed clocks. The logo studies show how I workshopped the design through a process of reduction. The final logo represents the brand’s dual influences of modernist design and forms in nature. — October 2014
